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amazing ant
When they were announced and the first demonstration specimen were shown, they were the big hope. When they got available they led to frustration and were a big disappointment. Meanwhile a lot has been done and they seem to … Continue reading →
moon
Sometimes when I walk home in the evening, crossing the river I stop midbridge and wonder at the moon. Then, for a few minutes, I try to really become conscious of the fact that exactly one dozen men already walked … Continue reading →
access
Today I augmented the very first chapter of maxmod’s projected chapters, which is called ↵access—straightforwardedly worded: I beefed it up without adding much content, well there’s some new text, and now I am pimping it shamelessly. It may not have … Continue reading →
circle of the year
Another reason why Malinowski’s postulation that the fieldworker should stay at least one year in the field should be transposed to the online-fields, too. The festivities, you shouldn’t miss the festivities and their consequences. In order to celebrate Halloween Google … Continue reading →
fighternight VII
All right, I am about to dive into the next round of making my fieldwork multisited ;-) [see ↵ wolfenstein] Just now I am packing my equipment and am about to leave the office for the ↑Fighternight VII—a ↵LAN-party starting … Continue reading →
top 20 g33k novelz
The influence of literary fiction and movies is not to neglect when trying to understand cyberculture, the cultural appropriation of ICTs, or parts of that. Currently ↑The Guardian‘s ↑technology blog has a ↑top twenty list of geek novels, constrcuted by … Continue reading →
teaching appropriation
As cultural appropriation definitely is my favourite paradigm I will teach a course on it during the upcoming winter term. Here’s the abstract: With sociocultural anthropology opening itself up to modernity and the global, the paradigm of cultural appropriation of … Continue reading →
touchy
Definitely I won’t repeat all the hype—if you are out for that, watch Steve Job’s Macworld keynote and the animations at the ↑iPhone homepage. What indeed strikes me is the usual Apple understatement, clear-cut physical design, and of course … Continue reading →
pulp surrealism
Pulp Surrealism is about the secret life of mass culture, specifically its surrealistic undercurrents. It establishes a low-brow, anti-establishment genealogy of the Parisian dada and surrealist movements in the popular realms of crime fiction and sensationalist journalism. Mass culture was … Continue reading →