↑Natsumi Hayashi lives in Tokyo and mainly photographs levitating self-portraits, sometimes even in 3D—see her ↑how-to. Her blog ↑yowayowa camera woman diary almost exclusively consists of the mentioned levitating pictures (with some cats interspersed) which for quite some time appeared … Continue reading →
↑A Slower Speed of Light is a first-person game prototype in which players navigate a 3D space while picking up orbs that reduce the speed of light in increments. Custom-built, open-source relativistic graphics code allows the speed of light in … Continue reading →
zeph’s pop culture quiz #47 Between which worlds is the man the depicted hand belongs to travelling? Just leave a comment with your educated guess—you can ask for additional hints, too. [Leaving a comment is easy; just click … Continue reading →
Lego of course is predestined for constructing ↑Rube Goldberg machines, and there are quite some fine specimen in existence, but ↑Akiyuky‘s beautiful creation ↑featured at gizmodo is as fantastic as it is gigantic. [There are bigger ones, but they … Continue reading →
Although the main plots of the ↑‘Assassin’s Creed’ games have historical settings—during the Third Crusade (Ubisoft Montreal 2007), the Renaissance (2009), and the American Revolution (2012)—the narrative as a whole bows down to ↵the cyberpunk dicourse. The story which delivers … Continue reading →
CRAFT, JASON. 2012. Portal: Terminal velocity [short film]. Roseville: ↑Craftvfx. via ↑entry at ↑boingboing
Continue reading →Above these apparent hieroglyphics was a figure of evident pictorial intent, though its impressionistic execution forbade a very clear idea of its nature. It seemed to be a sort of monster, or symbol representing a monster, of a form which … Continue reading →
ROSA is an epic sci-fi short film that takes place in a post-apocalyptic world where all natural life has disappeared. From the destruction awakes Rosa, a cyborg deployed from the Kernel project, mankind’s last attempt to restore the earth’s ecosystem. … Continue reading →
Here is a snippet from the recent ↑interview with William Gibson, which Bryan Alexander (who ↵pointed me to it) ↵liked especially: It’s harder to imagine the past that went away than it is to imagine the future. What we were … Continue reading →