Many of the films discussed so far [films made from 1895 to 1910 and featuring science-fictional elements or qualities] could be said to be cinematic predictions of the future: from future warfare and advanced automatons to trips to the moon and visitors from another planet. Yet most of these narratives (or the film’s mise en scène more generally) suggested that events were taking place in an undefined present, the result of a recent technological breakthrough. This initial absence of futurity can also be found in much of the literature from which these early film narratives were drawing inspiration: Frankenstein, Twenty … Continue reading →