the nostalgist
↑CIMINI, GIACOMO. t.b.a. ↑The Nostalgist [short film]. London: Wonder Room Productions. WILSON, DANIEL H. 2009. ↑The Nostalgist. Tor.com 28 July 2009. Available online. via ↑entry at ↑boingboing
Continue reading →↑CIMINI, GIACOMO. t.b.a. ↑The Nostalgist [short film]. London: Wonder Room Productions. WILSON, DANIEL H. 2009. ↑The Nostalgist. Tor.com 28 July 2009. Available online. via ↑entry at ↑boingboing
Continue reading →Seed and the control of seed lies at the heart of agriculture. In Africa around 80% of seed comes from local and community saved seed resources. This seed is adapted to local conditions. It forms an integral part … Continue reading →
We must not forget that when radium was discovered no one knew that it would prove useful in hospitals. The work was one of pure science. And this is a proof that scientific work must not be considered from the … Continue reading →
‘↑Source‘ is an astounding Japanese independent cyberpunk short-film by director A.T.—it’s not embeddable, as it seems, so go and ↑watch it on Vimeo … A.T. 2012. ↑Source [short film]. Tokyo: TYO Productions.
Continue reading →I well remember going to conferences in 2006 and 2007 where trendy social theorists presented papers arguing that these new forms of securitization, linked to new information technologies, heralded a looming transformation in the very nature of time, possibility—reality itself. … Continue reading →
Something seems to be in the air. Just recently we had Jiré Emine Gözen’s doctoral thesis ‘↵Cyberpunk Science Fiction‘ (2012), now Krzysztof K. Kietzman has published his M.A. thesis ‘↓Constructs of innocence in selected works of cyberpunk and postcyberpunk fiction‘ … Continue reading →
This is a detail of page 72 of the July 1982 issue of the magazine ↑Omni. Depicted is the beginning of ↑William Gibson‘s short story ‘↑Burning Chrome.’ It is a bit of linguistic history, because here the word ‘cyberspace’ saw … Continue reading →
Digital ethnography can be understood as a method for representing real-life cultures through storytelling in digital media. Enabling audiences to go beyond absorbing facts, computer-based storytelling allows for immersion in the experience of another culture. A guide for anyone in … Continue reading →
The Chronicle of Higher Education yesterday published an excellent article on ↑David Graeber: ‘↑A Radical Anthropologist Finds Himself in Academic “Exile”‘ His academic “exile,” as he calls it [Graeber meanwhile is a professor at the ↑LSE], has not gone unnoticed. … Continue reading →