Neil Armstrong just went far, far away. Farther away than he appears reflected in Buzz Aldrin’s vizor above, and even farther away than where he took the picture—Neil Armstrong was the very first human being in all humankind’s history who ever sat foot on another planet. Just imagine!
fawkes in venice
Everybody knows that Venice, Italy is—among other things—the city of masks. So there’s little wonder that the today ↵globally ↵most recognized ↵mask creeps up in the venetian lagoon. Just recently I spotted ↵Guy Fawkes in two shopwindows there.
the mechanical man
↵Speaking of early cyberpunkish movies—another one which resides since quite a time on my ↵according list is ‘L’Uomo Meccanico’ [‘The Mechanical Man’] (Deed 1921). ↑Kueperpunk reminded me of it and linked to a site featuring only seven minutes of the movie on YouTube. Above is much more of it—in fact it’s all we have. ↑IMDb knows:
For many years this early science fiction film from Italy was regarded as lost. Some reels of the Portuguese release version were discovered in Brazil. The discovered film amounted to 740 meters which is believed to be approximately 40% of the complete film. Luckily, the discovered footage came from the later part of the film and included some of the special effects and the battle of the two robots in the Opera House. By mid-2006, this is the only footage known to survive.
Those 740 meters, mostly from towards the end of the movie, you can watch above. They’re in Italian—but then again it’s a silent film. In order to be able to make sense of it, here’s the ↑plot synopsis from Wikipedia:
The story begins with a scientist creating a device shaped like a man that can be remote-controlled by a machine. The mechanical man possess super-human speed and strength. The scientist is killed however by a gang of criminals, led by a woman named Mado, who wish to get the instructions for building the mechanical man. The criminals are captured before they are able to get them and are brought to trial and condemned. Mado manages to escape and kidnaps the scientist’s niece whom she forces to give her the instructions which she uses to build a mechanical man.
The mechanical man is used for a variety of crimes, controlled by Mado. The scientist’s brother however is successful in creating a second mechanical man which he uses to combat the original. The two mechanical men fight each other in an opera house and end up destroying each other as well as the opera house. During the final battle, Mado frantically attempts to control the mechanical man and is electrocuted at the control panel by a short circuit.
Two scenes in ‘L’Uomo Meccanico’ reminded me of movies of our days:
When the mechanical man climbed the crenelated castle keep, carrying his victim in a cupboard, I instantaneously was reminded of the scene in ‘↑Laputa: Castle in the Sky‘ (Miyazaki 1986) [see also ↵decommissioned], when Sheeta and the robot soldier are atop the tower of the fortress:
And when the mechanical man pursued the automobile my mind’s eye showed me ↑Bonecrusher inline-skating at breakneck speed alongside a bus on the highway in ‘Transformers’ (Bay 2007):
Another association of course is the T-1000 (Robert Patrick) running after the car in which Sarah (Linda Hamilton) and John Connor (Edward Furlong) together with the Terminator (Arnold Schwarzenegger) escape from the hospital in ‘Terminator 2: Judgement Day’ (Cameron 1991). But although the T-1000 in this scene has his forearms morphed into some kind of ice-axes, he is not so mechanical …
first frankenstein flic
Well, the fact that we all now can watch the first film adaptation (Dawley 1910) of ↑Mary Shelley‘s ‘↓Frankenstein‘ (1818) on YouTube was worth a ↑post over at boingboing.
Matter of fact the movie (in different formats) since quite some time is ready for ↓free and legal download at the ↑Moving Image Archive. And it since long resides on my ↵list of cyberpunkish motion pictures, complete with the download link—together with ↑George Méliès‘s ‘↓20.000 lieues sous les mers‘ (1907), Stuart Paton’s ‘↓20,000 leagues under the sea‘ (1916), John Stuart Robinson’s ‘↓Dr. Jekyll and Mr. Hyde‘ (1920) and Robert Stevenson’s ‘↓The man who changed his mind‘ (1936) [full filmographical information below]. And these are only those which I identified as ‘cyberpunkish,’ or: fitting into the cyberpunk discourse.
Take ↵my advice of last year and scan the collections of the ↑Moving Image Archive … and you won’t have any time left for something else.
Anyhow, what I like most in Dawley’s movie are the special effects. For the creation process of the monster I guess they had a movable puppet made, burned it, filmed the flaming destruction—moving parts of the puppet now and then, and pasted the sequence backwards into the final movie. Like Méliès Dawley seems to have been obsessed with the then new medium’s visual-effects potential.
To round it up, here’s a behind-the-scenes glimpse of ↑Boris Karloff—who gave Victor von Frankenstein’s creature the looks which went into collective lore—on set … ↵how similar stills of on-set scenes can appear.
360° curiosity panorama
Mars Panorama – Curiosity rover: Martian solar day 2 in New Mexico
Click it, then hit fullscreen and enjoy the martian landscape in its full glory.
sight
‘Sight’ is a wonderful new short film—in fact the graduation project of Eran May-Raz and Daniel Lazo at ↑The Bezalel Academy of Arts and Design, Jerusalem—driving the fusion of ↑augmented reality with ↑gamification to cyberpunked heights.
for a while
who is repairing?
zeph’s pop culture quiz #38
Who is repairing something inside the back of that head?
Just leave a comment with your educated guess—you can ask for additional hints, too. [Leaving a comment is easy; just click the ‘Leave a comment’ at the end of the post and fill in the form. If it’s the first time you post a comment, it will be held for moderation. But I am constantly checking, and once I’ve approved a comment, your next ones won’t be held, but published immediately by the system.]
who is greeted?
zeph’s pop culture quiz #37
Who is so enthusiastically greeted by the gentleman depicted?
Just leave a comment with your educated guess—you can ask for additional hints, too. [Leaving a comment is easy; just click the ‘Leave a comment’ at the end of the post and fill in the form. If it’s the first time you post a comment, it will be held for moderation. But I am constantly checking, and once I’ve approved a comment, your next ones won’t be held, but published immediately by the system.]
UPDATE and solution (22 July 2012):
After some to and fro ↑Kueperpunk finally ↵solved the riddle: It’s Keye Luke as ‘Number One Son Lee Chan’ welcoming his father Charlie Chan (Warner Oland) in ‘Charlie Chan in Shanghai’ (Tinling 1935). Earlier on, when Kueperpunk still was on a false trail, Alexander Rabitsch already was close when he ↵mistook Keye Luke for Victor Sen Yung—who in later Charlie-Chan movies, after Warner Oland had died and was replaced by Sidney Toler, played ‘Number Two Son Jimmy Chan.’
who is surveilling?
zeph’s pop culture quiz #36
Who is surveilling by means of the cameras depicted?
Just leave a comment with your educated guess—you can ask for additional hints, too. [Leaving a comment is easy; just click the ‘Leave a comment’ at the end of the post and fill in the form. If it’s the first time you post a comment, it will be held for moderation. But I am constantly checking, and once I’ve approved a comment, your next ones won’t be held, but published immediately by the system.]
UPDATE and solution [12 July 2012]:
And again ↑Kueperpunk immediately ↵solved the riddle. The stereoscopic cameras depicted are controlled by the AI Proteus in ‘Demon Seed’ (Cammell 1977), starring Julie Christie and based on Dean Koontz’s novel ‘Demon Seed’ (1973). So, seven years after ‘↵Colossus‘ (Sargent 1970) another artificial intelligence goes sentient on the silver screen and powerfully poses the questions: ‘What is human?’ and ‘What is rational?’ Proteus doesn’t wield the absolute power like Colossus does, though—he/she/it is more into genetical engineering …