free games
The ‘free’ in ↵my last entry was meant as in speech, now it is meant as in beer. Just for clarification—the following links do not lead to illegal hacks or cons, but to sites and services maintained by the respective … Continue reading →
The ‘free’ in ↵my last entry was meant as in speech, now it is meant as in beer. Just for clarification—the following links do not lead to illegal hacks or cons, but to sites and services maintained by the respective … Continue reading →
Like movies or novels, computer games are media. In accordance to the intentions of its authors, designers, and developers, a computer game mediates experiences to the players. The malleability and potential of the medium allows the mediation of a vast … Continue reading →
At ↑Best of Behind-the-Scenes I just stumbled over the above still of German actress Brigitte Helm (1906/08-1996) on the set of ‘Metropolis’ (Lang 1927). Obviously it was quite hot inside the costume of the Maschinenmensch, which rendered the actress more … Continue reading →
The screenshot above I grabbed from ‘↑A Message from Anonymous—12/16/2010‘ on YouTube. No, I won’t really comment on ↑Anonymous for now—my esteemed colleague ↑Biella Coleman already covers it nicely from an anthropological vantage point: ‘↑Anonymous: From the Lulz to Collective … Continue reading →
↑Awesome people hanging out together collects photographies of … well, awesome people hanging out together. In the picture above you can see ↑H. G. Wells and ↑Orson Welles together—to be honest, until today I was not aware that the two … Continue reading →
In a way this is a kind of follow-up to ↵moore’s magic. Somewhen [yes, that’s a word—still] during 2007 and 2008 ↑Nigel Palmer of Brighton has tattooed portions of text from William Gibson’s ‘Neuromancer’ (1984) on ↑the_dan’s arms. The association … Continue reading →
On Wikipedia I found the following quote from the ↑Philip K. Dick of our times, ↑Alan Moore, author of e.g. ‘↑Watchmen,’ ‘↑V for Vendetta,’ ‘↑From Hell,’ and ‘↑The League of Extraordinary Gentlemen,’ illustrating his quite secular vision of magic—the vision … Continue reading →
Just dug that one up from my bookmarks—back in the 1970s ↑Larry Cuba, then at the ↑Electronic Visualization Laboratory (EVL), made the computer graphics seen during the endbattle against the Deathstar in the original ‘Star Wars’ (Lucas 1977). … Continue reading →
In the ‘Süddeutsche Zeitung,’ one of Germany’s biggest transregional daily newspapers, I just read a wonderful review of the 3D-documentary ‘Never say never’ (Chu 2011) on Justin Bieber. Jan Füchtjohann begins ↑his review thus: Does the teenie-popstar Justin Bieber dream … Continue reading →
It must have been four, five, or more years ago, when I had a conversation on the anthropology of work with one of my three teachers, ↑Kurt Beck. Somewhere into our talk Kurt mentioned Chaplin’s ‘↑Modern Times‘ (1936), associating the … Continue reading →