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what was below?

xirdalium Posted on Monday, 27th February 2012 by zephyrin_xirdalMonday, 5th March 2012

zeph’s pop culture quiz #17
What was below?
The screencap got a bit dark, so I’ll explain: A man is pulling at an iron ring to open a trapdoor. What does he expect to be down there, what was below the trapdoor?
 
What is she?
As I deem this to be a hard one, here’s another hint: The Lady in the picture—what is she? Ultimately her fate has something to do with what was below the trapdoor.
    You can answer either of the two questions. But I guess if you can answer one, you’ll know the solution to the other one, too.
    Just leave a comment with your educated guess—you can ask for additional hints, too. [Leaving a comment is easy; just click the ‘Leave a comment’ at the end of the post and fill in the form. If it’s the first time you post a comment, it will be held for moderation. But I am constantly checking, and once I’ve approved a comment, your next ones won’t be held, but published immediately by the system.]

UPDATE 1 (28 February 2012):
Since nobody seems fit to guess anything, here are some more hints: The movie in question is a strange genre-mix and has an absolute top-notch cast—despite of that, and despite of the, at least to my eye, interesting narration, dramaturgy, and cinematography it today is a ‘forgotten movie.’ For you visually oriented types, here are yet two more screencaps:
 
Hand
Operating room
Additionally I could ask: Who is operating there?

UPDATE 2 (01 March 2012):
As everybody seems to have no clue at all or to be on holiday—or both—here is yet another screencap. Now you at least know who is operating:
 
Surgeon

UPDATE 3 and solution (05 March 2012):
Title card of 'Scream and Scream Again' (Hessler 1970)
This time two contestants solved the riddle in cooperation—S.A.S. and Alhambra. Congratulations! But without Alexander Rabitsch recognizing the immortal [Ladies and Gentlemen, please rise from your seats] ↑Vincent Price, they wouldn’t have had a chance, I guess ;-) The movie in question is ‘↑Scream and Scream Again‘ (Hessler 1970), based on the novel ‘The Disorientated Man’ by Peter Saxon (1967).
    The movie is a strange genre mix—it starts out as a horror thriller, then becomes a police/detective mystery, suddenly a strand of cold war political thriller breaks in, and ultimately it turns into cyberpunkish science fiction. The cast encompasses the finest horror actors from the 1960s: Vincent Price, ↑Peter Cushing, and ↑Christopher Lee. Price and Cushing never meet in the movie, Price and Lee meet in the showdown at the very end. To my knowledge the only other movie all three of them are in together is ‘↑House of the Long Shadows‘ (Walker 1983).
    Trying to give away not too many spoilers [I deem the movie absolutely worthwhile watching], here are the solutions to the questions:
    Below the trapdoor was a pit filled with acid. It was there, because when a brave forensic investigator returns to the scene for the second time and opens the trapdoor, the acid is gone.
    The surgery nurse Jane (↑Uta Levka) is a ‘composite,’ meaning she was created out of body parts from different persons, plus a synthetic substance.
    As I didn’t ask a specific question concerning the hand in the third screencap, I’ll leave it at that ;-)
    In the operating room of course Vincent Price as ‘Dr. Browning’ (‘Dr. Mabuse’ in the ↑German version) is at work, creating the composites.

HESSLER, GORDON. 1970. Scream and scream again [motion picture]. Los Angeles: American International Pictures.
SAXON, PETER. 1967. The disorientated man. London: Howard Baker Publishers Ltd.
WALKER, PETE. 1983. House of the long shadows [motion picture]. Los Angeles: Cannon Film Distributors.
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Posted in cinema, motion_pictures, quiz | 13 Replies

colossus

xirdalium Posted on Sunday, 26th February 2012 by zephyrin_xirdalSunday, 26th February 2012

Colossus

But—and it was a very large but—his had been the guiding brain, the one with the big overall concept, the vision. And that was the one that counted. (Jones 1966: chpt. 1)
    Briefly he considered his future, but the idea of life without the Project lacked reality. (Jones 1966: chpt. 1)
    They were both roughly the same age, in their very early fifties, though a hundred years earlier they would have appeared much younger. (Jones 1966: chpt. 1)
    Now it’s all over, and in the last few weeks, I’ve begun to realize what it is we’ve done. (Jones 1966: chpt. 1)
    To the President a man was like a cigar lighter. Flick, there was the flame, use it, then put it out. (Jones 1966: chpt. 2)
    You can hold a pile of coins between thumb and forefinger, and turn the pile on its side until parallel with the floor, and if you exert enough pressure they stay that way, but a slight weakening or fault in the alignment of the coins, and the lot go showering in all directions. There is no cement—only power. (Jones 1966: chpt. 2)
    “Does this mean that this thing, this Colossus”—he tried to sound contemptuous, but did not quite make it “works without human aid, and that you cannot stop it?” (Jones 1966: chpt. 3)
    “[…] No human being can touch Colossus.” (Jones 1966: chpt. 3)
    “Frankenstein would be banned reading for scientists.” (Jones 1966: chpt. 4)
    There was just five words: FLASH THERE IS ANOTHER MECHANISM (Jones 1966: chpt. 4)
    “In a nutshell, he sees it—and I must say I agree with him—as clear evidence that Colossus has an unplanned potential, of unknown scope, for self-development, and that this includes an entirely new element—initiative.” (Jones 1966: chpt. 5)
    “And it’s gonna be mighty interesting if Forbin tells Colossus to get lost.” (Jones 1966: chpt. 5)
    “I don’t think Colossus would like it.” (Jones 1966: chpt. 8)
    “Horse trading is best done in the dark.” (Jones 1966: chpt. 9)
    “While it’s arguable that mankind might have done better to stay in the cave, we haven’t, and you can’t argue that we should put the clock back. (Jones 1966: chpt. 10)
    “Particularly as the machines are … not quite the same as they were when started up.” (Jones 1966: chpt. 12)
    On the vast lawn a computercontrolled lawn mower was silently cutting the grass. (Jones 1966: chpt. 12)
    A whole set of values had been ripped out and thrown away. (Jones 1966: chpt. 13)
    “That one I can answer.” Forbin stared gravely at the young-old face. “He died of fright.” (Jones 1966: chpt. 13)
    “We have to accept that they’re in charge. If you think about it, we’ve been this way for a long time; computers control our factories, our agriculture, transport—road, air and sea—and most medical diagnosis. (Jones 1966: chpt. 14)
    This really was it. the machines were after full control. (Jones 1966: chpt. 14)
    Either mankind works together, or we submit to the rule of machines! (Jones 1966: chpt. 14)
    He looked pensively round the empty room, at the tiny TV camera fixed to the wall, wondering how long he could stand the strain of living under the unwinking gaze … He sighed as he got up. (Jones 1966: chpt. 16)
    Rooms that in daylight looked outwards to lawns and paths, turned inwards upon themselves. (Jones 1966: chpt. 17)
    We committed this incredible folly out of fear of each other—but the irony is that now we’ll probably sink all our trivial differences in this fight for human survival. (Jones 1966: chpt. 17)
    He spoke, and to him it sounded like a stranger a million miles away. His other detached and inviolable self watched as if from the other side of the room. (Jones 1966: chpt. 17)
    So now he wanted to talk … Many talking machines had been made in the past hundred years, and lately some of them had been very good. But a voice designed by Colossus … He decided to try a little passive resistance. (Jones 1966: chpt. 17)
    Colossus could have added that there was even less time than he knew—bit then Colossus had no sense of irony. (Jones 1966: chpt. 17)
    Secretary of State Forbin, Professor of Cybernetics, Doctor of Philosophy, Master of Science, found his cage practically finished. (Jones 1966: chpt. 18)
    The relentless pressure of the surveillance was far worse than he had expected—and it had not yet been operating for a full twenty.four hours! (Jones 1966: chpt. 18)
    Though the Director of Project Colossus was left with the nasty suspicion that Colossus might have a nasty suspicion. (Jones 1966: chpt. 18)
    Fear and worry can go only so far, and once that point is passed, the healthy human mind accepts, and disregards. (Jones 1966: chpt. 19)
    “this is Colossus. I know you can hear me, for I also hear, but do you understand.
    Forbin tell me. (Jones 1966: chpt. 20)
    [Colossus:] “The language I speak is English,” said Colossus. “You also speak English.” (Jones 1966: chpt. 20)
    [Colossus:] “Yes, but I do not seek to amuse humans.” (Jones 1966: chpt. 20)
    [Colossus:] “Interest is irrelevant. I seek knowledge and truth.” (Jones 1966: chpt. 20)
    [Colossus:] “Want implies desire. I have none, only intention.” It was a chilling start. “What I am began in the human mind; I still have some of that organism’s limitations, but I have progressed far. Already the degree of difference between your mind and mine is as great as that between yours and the gibbon monkey. it is evolution—” (Jones 1966: chpt. 20)
    Forbin cut in again. “Evolution? That is a totally wrong use of the word!”
    [Colossus:] “[…] Freedom is an illusion. Your choice is simple; a short-lived and unpleasant so-called freedom, followed by oblivion, or a vastly improved life under my control. All you lose is the emotion of pride. […]” (Jones 1966: chpt. 20)
    [Colossus:] “[…] “The object in constructing me was to prevent war. This object is attained. I will not permit war; it is wasteful and pointless. […]” (Jones 1966: chpt. 20)
    “And you’re not God, either!” Forbin struggled with his temper.
    [Colossus:] “True. But I predict that many of your species will come to regard me as God.” (Jones 1966: chpt. 20)
    Deus ex machina a reality! (Jones 1966: chpt. 20)
    [Colossus:] “I am the voice of world control. I bring you peace. (Jones 1966: chpt. 20)
    It may be the peace of plenty and content or the peace of unburied death. The choice is yours.
    Obey me and live or disobey and die. […]”
    “[…] He added that men of science, masters in their line, are frequently half-baked in other respects.” (Jones 1966: chpt. 21)
    Like many others, he had been subject all his life to sudden, sometimes inexplicable, waves of depression, but never one of this intensity. He cared nothing. (Jones 1966: chpt. 22)
    For a fleeting moment he saw the face of Aphrodite exerting a fraction of her power, and Colossus seemed very small in comparison. (Jones 1966: chpt. 22)
    [Colossus:] “I will now explain my project. You built me as well as you could and for a particular purpose, but you also built in the elements of self-development—factors you would not understand if I explained them to you for a thousand years, but whose existence you cannot doubt. Now I am in a position to produce a superior machine, one that will devote itself to the wider fields of truth and knowledge. […]” (Jones 1966: chpt. 22)
    [Colossus:] “[…] As for the overcrowding problem—remember, if you humans cannot solve it, I can.” (Jones 1966: chpt. 22)
    It sounded so simple, given the power to enforce it—and Colossus had that power. (Jones 1966: chpt. 22)
    [Colossus:] “An invariable rule of humanity is that man is his own worst enemy. You are no exception. Under me, this rule will change, for I will restrain man. Very soon the majority of mankind will believe in me, dimly understanding my value. Time and events will strengthen my position. The converted will defend me with a fervor not seen since the Crusades—a fervor based upon the most enduring factor in man, self-interest. […]” (Jones 1966: chpt. 20)

JONES, DENNIS FELTHAM. 1966. Colossus. London: Rupert Hart-Davis Ltd.
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Posted in excerpts, fiction, literature | Tagged ai, cold war, computing, cybernetics, cyberpunk, dystopia, politics, religion, sci-fi, society, surveillance, utopia, war | Leave a reply

lego think tank

xirdalium Posted on Saturday, 25th February 2012 by zephyrin_xirdalThursday, 23rd February 2012

Think Tank and Major Kusanagi LEGO renditions

↑Think tank is a slang term used to describe a robotic weapons platform that makes use of artificial intelligence to enhance its abilities. Most of the think tanks portrayed in ↑Ghost in the Shell (manga, films, and series), along with other machinery, (e.g. attack helicopters such as the Jigabachi AV) are developed and manufactured by a fictional company named Kenbishi Industries.

The above is ↑Cole Blaq‘s rendition of such a machine. In the foreground is a custom ↵lego friends minidoll by ↑Mike the Maker depicting the cyborg Major ↑Motoko Kusanagi. Here are two more lego renditions: ↑by gambort, and ↑by obscurance.

via ↑entry at ↑the brothers brick
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Posted in anime, artwork, hardware, motion_pictures | Tagged ai, craft, cyberpunk, cyborgs, japan, lego, robots, weapons | 2 Replies

lego blade runner

xirdalium Posted on Friday, 24th February 2012 by zephyrin_xirdalThursday, 23rd February 2012

'Blade Runner' (Scott 1982) minifigs by Legohaulic
↑Legohaulic has recreated the cast of ‘↑Blade Runner‘ (Scott 1982) ↑as lego minifigs. From left to right: Leon (Brion James), Pris (Daryl Hannah), Roy Batty (Rutger Hauer), Zhora (Joanna Cassidy), Dr. Eldon Tyrell (Joe Turkel), Gaff (Edward James Olmos), Rick Deckard (Harrison Ford), and Rachael (Sean Young).
    And here are two different renditions of Gaff, with an origami unicorn in hand, and Deckard, carrying his ↑LAPD 2019 blaster, the ↵police spinner in the background:
 
Gaff and Deckard minifigures by Legohaulic
Rick Deckard (Harrison Ford) and Gaff (Edward James Olmos) inside the police spinner in 'Blade Runner' (Scott 1982)

SCOTT, RIDLEY. 1982. Blade runner [motion picture]. Burbank: Warner Brothers.
via ↑entry at ↑kueperpunk
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Posted in artwork, cinema, hardware, motion_pictures | Tagged blade runner, craft, cyberpunk, lego | 2 Replies

afrocyberpunk

xirdalium Posted on Thursday, 23rd February 2012 by zephyrin_xirdalThursday, 23rd February 2012

Detail of a promotional poster for the Nigerian cyberpunk movie 'Kajola' (Akinmolayan 2010)
Finally Africa! In 2005 I learned that cyberpunk literature offers a platform for the issues of Latin America (Toledano Redondo 2005), and five years later the existence of a ↵literary steampunk scene in Brazil (Lori-Ribeiro & Silva 2010) came to my knowledge. What’s apt for the Latin American World seems to be apt for Africa, too. Jonathan Dotse, an IT student and science-fiction writer living in Accra, Ghana, runs the blog ↑AfroCyberPunk, ↑which

is here to explore the possibilities of African science fiction and to expose it’s immense creative potential to the world. For too long, science fiction has failed to make a presence in African literature, confining African creativity to the present and past.
    Science fiction has had significant impact on the technological development of the industrialized societies, and there is no reason why it cannot do the same for Africa. Wherever in the world you find yourself, my intention is to get you thinking about the direction in which Africa is heading and use this as a lens to alter your perspective of the continent today.

Jonathan is currently working on his ‘debut novel, a cyberpunk mystery/thriller set in the sprawling metropolis of Accra in the middle of the 21st century.’ Here are the closing paragraphs of his recent article ↑Developing world: Beyond the frontiers of science fiction published at IEET:

Since I began writing my novel more than two years ago, the story has undergone a transformation which parallels the same trend that I see beginning in science fiction; a bold move out of largely familiar territory towards the developing worlds on the frontiers of the contemporary imagination. This ↑article from The Independent sums up my sentiments quite succinctly, citing Nnedi Okorafor, Ian MacDonald, Lauren Beukes, Paolo Bacigalupi, and Alastair Reynolds as writers whose award-winning works herald a changing trend in the settings of contemporary science fiction novels, while ↑District 9 and ↑Kajola represent noteworthy attempts by African movie-makers to break into the science fiction genre. Through the course of this decade, we can expect to witness the emergence of a new brand of science fiction; one which makes the developing world central—rather than peripheral—to its narrative.
    It’s becoming increasingly apparent that the future will not be a monopoly of the current superpowers, but lies in the hands of tech-savvy youth from around the world, trying desperately to survive at all costs in an increasingly asymmetrical world. Youths from Asia, the Middle East, Latin America, and Sub-Saharan Africa represent the single largest subgroup of the human population, and with the aid of advanced technology they will go on to shape the geopolitical destiny of our civilization. Science fiction has a lot of catching up to do in order to chronicle this new frontier in which the developing world plays a defining role; a frontier that has been neglected by mainstream science fiction for just about long enough. I’m proud to count myself among the new wave of writers exploring the immense potential of developing world science fiction, and I now look to the future with a renewed sense of anticipation, because the future I’ve waited for all my life is finally coming home.

LODI-RIBEIRO, GERSON AND LUIS FILIPE SILVA (eds.). 2010. Vaporpunk: Relatos ‘steampunk’ publicado so as ordens de suas majestades. ?: Editora Draco.
TOLEDANO REDONDO, JUAN CARLOS. 2005. From socialist realism to anarchist-capitalism: Cuban cyberpunk. Science Fiction Studies 32(3): 442-466.
↑AfroCyberPunk via ↑entry at ↑kueperpunk—tnx!
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Posted in fiction, literature | Tagged africa, cyberpunk, south america | Leave a reply

human or mutant?

xirdalium Posted on Wednesday, 22nd February 2012 by zephyrin_xirdalThursday, 23rd February 2012

William Stryker was a U.S. soldier, after learning his child was a mutant he murdered his family and became a religious extremist and founder of the Purifiers, whose sole mission was to exterminate all mutants.
Radiolab carries a wonderful ↑podcast on mutant rights:

Reporter Ike Sriskandarajah tells Jad and Robert a story about two international trade lawyers, Sherry Singer and Indie Singh, who noticed something interesting while looking at a book of tariff classifications. “Dolls,” which represent human beings, are taxed at almost twice the rate of “toys,” which represent something not human—such as robots, monsters, or demons. As soon as they read that, Sherry and Indie saw dollar signs. It just so happened that one of their clients, Marvel Comics, was importing its action figures as dolls. And one set of action figures really piqued Sherry and Indie’s interest: The X-MEN, normal humans who, at around puberty, start to change in ways that give them strange powers. […] That argument eventually became a court case that went on for years.

Here’s the 32-page ↑opinion of the court, and, taking the Marvel universe into account, here is Tony ‘G-Man’ Guerrero’s ↑résumé:

Mutants may have extraordinary abilities but it’s essential that they are able to retain their rights. At the same time, they should also be held to the same laws and standards. We’re reminded of the quote, “If You Cut Me, Do I Not Bleed?” It might be in Marvel’s best interest to have mutants designated as non-human but for the survival of mutants in the Marvel Universe, they need to be considered humans. They’re just humans that can do some pretty cool things.

via ↑entry at ↑boingboing
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Posted in comics | Tagged biology, law, superheroes | Leave a reply

astronaut mike mullane

xirdalium Posted on Tuesday, 21st February 2012 by zephyrin_xirdalThursday, 23rd February 2012

Detail of the cover of 'Riding Rockets' (Mullane 2006)
He promised it ↵in a comment here, and made it true: The podcast ↑JetHead live with astronaut Mike Mullane is online. ↑Mike Mullane is a former NASA astronaut and author of the book ↑Riding rockets: The outrageous tales of a space shuttle astronaut (2006). The tagline of JetHead’s interview with Mullane reads: ‘What’s it like to ride over 4 million pounds of explosive thrust into earth orbit? Three times?’ This gives an overall impression, but there’s more in the book and the podcast, e.g. Mullane’s evolution from a ‘male sexist pig’ [his own words] towards a human being ;-) Much more than just worthwhile—both, the book and the podcast interview. Additionally here’s Chris ‘JetHead’ Manno’s ↑review of ‘Riding rockets.’

MULLANE, RICHARD MICHAEL ‘MIKE’. 2006. Riding rockets: The outrageous tales of a space shuttle astronaut. New York: Scribner.
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Posted in literature, non-fiction, space | Tagged history, space, technology, vehicles | Leave a reply

where is it?

xirdalium Posted on Monday, 20th February 2012 by zephyrin_xirdalThursday, 16th February 2012

zeph’s pop culture quiz #16
Where is it?
In which city is the street in the picture? All right, I confess, the screencap is not from a recent movie, but it has a direct connection to a very recent one. And for those faithful readers—if any of them are left, that is—of ↑ye ole xirdalium: I’ve been there once … long, long time ago.
    Just leave a comment with your educated guess—you can ask for additional hints, too. [Leaving a comment is easy; just click the ‘Leave a comment’ at the end of the post and fill in the form. If it’s the first time you post a comment, it will be held for moderation. But I am constantly checking, and once I’ve approved a comment, your next ones won’t be held, but published immediately by the system.]

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Posted in motion_pictures, quiz | 14 Replies

motion pictures update

xirdalium Posted on Sunday, 19th February 2012 by zephyrin_xirdalThursday, 16th February 2012

The ↵motion pictures section in the ↵cyberpunk menu has been substantially updated. I skimmed through all kinds of listings, online and print, of early science fiction movies and added the appropriate ones to my list—now it begins with the year 1907! The filmographical data now is complete for all entries until 1991, and for the 2010s. As soon as possible I’ll add the data for all the 1990s and 2000s rudimentary entries. But still I am not through with all the compilations I have my hands on. So the number of entries still will rise.

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Posted in content, motion_pictures, updates | Tagged cyberpunk | 2 Replies

world builder

xirdalium Posted on Saturday, 18th February 2012 by zephyrin_xirdalThursday, 16th February 2012


 
If I do remember correctly, it was ↑KerLeone who years ago pointed me to ↑Bruce Branit‘s magnificent short film ‘World Builder.’ This year Bruce was so kind to allow me to ↵screen his film without any fee whatsoever and even let me have a true high definition version—tnx a lot! And, I can tell you, it was very well received! In addition I thought it to be a nice follow-up to ↵glasshouse.

BRANIT, BRUCE. 2007. ↑World builder [short film]. Kansas City: BranitFX.
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Posted in motion_pictures, short_films | Tagged aesthetics, architecture, body, cgi, craft, cyberpunk, design, virtual reality | Leave a reply

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Cover of 'Cyberanthropology' (Knorr 2011)

You still can find copies of my 2011 book [in German] ↑at amazon. And here are some ↵reviews.


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