Within every human individual there is a personal eclectic conglomeration of ambiences and narrative content built from a lifetime of experience, assimilating information, and digesting popular culture. When this conglomerations are shared by a group of people, we deal … Continue reading →
The picture above is a “photo montage featuring a dancer with body mounted sensors controlling real-time animation on the ANIMAC, 1962, Denver.”—another pre-cyberpunk cyberpunk-image. Weird coincidence—provoked by my entries on Tron and the interaction with SFAM, I remembered that … Continue reading →
SFAM ↵reacted at the speed of light, and moved his ↑review of the 1982 movie Tron up at ↑cyberpunkreview. And as I already mused on the ↵recycling of cybercultural topoi … if you are more deeply interested in the … Continue reading →